Gardaí are investigating the theft of a rucksack in Letterkenny belonging to a woman who was due to travel to Canada, it has emerged. The incident happened yesterday (Mon) in a car near the Letterkenny Shopping Centre at around 3pm.It is understood that the woman and her family were dining out in a nearby restaurant before her bag was unlawfully taken. The rucksack contained a passport, purse containing cash, bank cards, and driving licence – all items were stolen expected for the passport which was found a short time later.Gardaí, who confirmed that the incident is being reviewed on CCTV, told Donegal Daily: “Gardaí are investigating an incident of theft from a vehicle that occurred at Letterkenny Shopping Centre on 11th of November 2019 at approximately 3pm.“There have been no arrests made and investigations are ongoing.”Donegal woman was travelling to Canada before her rucksack was stolen was last modified: November 12th, 2019 by Shaun KeenanShare this:Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on Reddit (Opens in new window)Click to share on Pocket (Opens in new window)Click to share on Telegram (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to share on Skype (Opens in new window)Click to print (Opens in new window)
Last week, I wrote a popular post on the continuing popularity of BitTorrent, and how some artists are now choosing to embrace it as a marketing tool to expose their music to a wider audience. But many activist musicians disagree with the notions that BitTorrent is anything more than outright theft. Singer-songwriter David Lowery of the band Camper Van Beethoven is a good example.For this group of musicians, BitTorrent and other channels for often-illegal file downloads continues to represent a real and present threat to their livelihoods. The only debate in their minds is how to best squash the problem of BitTorrent.Why BitTorrent Doesn’t Work You can tell the week probably won’t go well when the first email you get on Monday morning comes from a pissed-off rock star, and he’s none too happy with you. But that was my start to the week, as Lowery dropped me a line to bust my balls in a humorous way, as he put it, about BitTorrent Downloads Booming – And Benefitting Musicians. Lowery, whose skills go far beyond music and into mathematics and business – he’s a lecturer in the University of Georgia’s music business program – disputed the very idea that anyone could successfully make a go of using BitTorrent as a way of increasing exposure for musicians.“In particular for the last 18 months I have studied in detail BitTorrent activity for my critically acclaimed cult band Camper Van Beethoven. I also have reams of data on file sharing and searches at Cyberlocker sites. You really think there are no lost sales in BitTorrent activity?” Lowery wrote. “Can I have some of what you are smoking? Why would you search for a song called ‘Take the Skinheads Bowling’ unless you heard the song? There are no current magazine articles on Camper Van Beethoven, TV shows, or mentions on squidbillies. They heard it and they wanted it. Occam’s Razor, dude.”It’s All About The Middle Class In particular, Lowery is very concerned about the “middle class” of artists who are getting the worst hit by illegal file sharing. Big name artists, he argued, can weather lost sales, and smaller artists are busy trying to do anything to catch a break. But the non-superstar successes are getting squeezed hard by file sharing.“You should hang out in a town like Athens, Georgia… where I teach. There are at least 60 small national/regional touring acts, The middle class of the music business. I’ve not met one that is honestly cool with people sharing files instead of buying them,” Lowery stated.So what about artists like Ed Sheeran in the UK, who recently said in a BBC interview, “You can live off your sales and you can allow people to illegally download it and come to your gigs. My gig tickets are £18 and my album is £8, so it’s all relative.” How does this position fit with Lowery’s point of view?“Ed Sheeran clearly has never looked at his own show settlement sheet, if he thinks he’s making 18 pounds a show. He and his touring party is lucky to gross 9 pounds minus management and agent fees (15% and 20% in UK – much higher than US) Then he pays touring expenses. I bet he nets the same or less per fan live than he would from a decent record deal per fan. And of course most artists are lucky if they manage to play for twenty percent of those who bought/”shared” their CD that year,” Lowery replied. “Still he’s in the top tier, so I bet he makes a decent amount of money. For now.“There are no major stars with significant sales that have used BitTorrent. Counting Crows did this year for an EP and then mysteriously pulled out after a couple weeks. No announcement. Totally scrubbed from BitTorrent site. Smells bad,” he added.Creative ConundrumLowery’s experience in the music industry has led him to a pretty pragmatic insight demonstrating that BitTorrent doesn’t really work.“Most artists and labels are not creative thinkers. They follow the latest trend or style cause that’s where the money is. When college radio or Grey’s Anatomy is successful for one artist/label. Everybody tries the exact same thing,” he explained. “If BitTorrent is really is a way for artists/labels to increase revenue they will be on it like a flash mob. That flash mob should have happened by now.”Lowery is certainly not alone in his disapproval of BitTorrent, but he’s no ally of the Recording Industry Association of America (RIAA). Lowery’s concern is mostly with that of the musicians like himself. He does, however, get frustrated with what he sees as straw man arguments that paint RIAA as an evil business monstrosity that somehow justifies the practice of illegal downloads.It’s Not Just An RIAA IssueLowery’s concerns are mostly shared by Casey Rae, co-director of the Future of Music Coalition. But their preferred solutions are pretty different. For Lowery, the solution is advocating and creating the environment for an ethical Internet. For Rae and the rest of the FMC, it’s more about creating much easier access to music – so easy, in fact, that the desire to use illegal file sharing will be greatly reduced.“We believe artists should be paid for their work,” Rae explained, and that’s the environment his organization is trying to set up.It’s not particularly easy. The major record labels in the US are still living in the past and their licensing process reflects that. Negotiating digital sales or streaming rights for a music catalog can take up to two years, and labels often want their cash up front.The problem is so acute, Rae added, that when Spotify finally came to the U.S., the Swedish company had to give up some of its own equity to the three major record labels to get them onboard. “The music and motion picture industry are still working under a scarcity model,” Rae lamented. “Unfortunately the Internet doesn’t recognize scarcity.”And Rae does not care for the RIAA’s tactics of litigation and legislation. “We need to wallpaper the Internet with available content.”That available content will probably be streaming content, if Rae’s predictions hold. Even the “traditional” paid download services lie Amazon, Apple and Google are shifting to the cloud model, where local downloads become the backup for the user’s music collection in the cloud.If licensing music can become a more streamlined process, Rae envisions a world where illegal downloads will be pointless, since songs can be easily found and played on demand. Artists and their labels will receive equitable payment, and the wave of illegal piracy should start to subside.The technology is already there. Now it’s a matter for the business processes to catch up.Lead image Courtesy of Shutterstock.Camper Van Beethoven image originally posted to Flickr by Clinton Steeds. It is licensed under the Creative CommonsAttribution 2.0 Generic license. 4 Keys to a Kid-Safe App brian proffitt Related Posts 5 Outdoor Activities for Beating Office Burnout Tags:#biz#music 9 Books That Make Perfect Gifts for Industry Ex… 12 Unique Gifts for the Hard-to-Shop-for People…
Have you written or received a script for your next project? Here are eight questions to ask before moving into production.There are a tremendous amount of scripts written every year. Conservative estimates began at 30,000-50,000 scripts, and that’s only including those filed with the Writers Guild of America (WGAe & WGAw). If scripts filed for copyright are included, the number can easily go up to 100,000.With all those scripts floating around, it must be easy to find your next project — right? Wrong. According to the latest Scoggins Report, only 90 specs were sold in 2014. Up until March 2015, only 26 specs have been sold.So what does all this mean to you as a filmmaker? If you find a script that you can get behind 100%, then you have found a very rare story. Here are some questions to ask before you get your film moving.1. Why Do I Want to Tell This Story?It seems like an easy question, but it really isn’t. When it comes to deciding on a project, you must be willing to give your whole life to seeing it through. That means you need to be emotionally involved with every character. You need to know every little detail in order to make this project a reality.If you don’ think you need to know every character, just look at D.B. Weiss and David Benioff, the showrunners of Game of Thrones. The duo actually got the green-light for the show when an HBO executive saw Benioff working out in the gym while reading his annotated copy of his Game of Thrones book. That’s the type of dedication a project requires.2. Why Am I the Best Person to Tell This Story?You cannot only dedicate yourself to a script, but you also have to believe in yourself. If you don’t feel like you have the ability to see a project through to its completion the way it should be done, then you’ll begin to question your own abilities. Don’t be afraid to walk away from a project if you don’t believe in yourself. A bad film can destroy your mentality.If you do believe in yourself, don’t just rely on your skill. Really push yourself to do something you’ve never done before. This is a chance to not only hone your skills, but to create a project that you can cherish forever. You need to believe that you are the perfect person for this job, and that no one could ever do it better.3. What Is My Emotional Connection to This Script?Image: Inside Out via Slash FilmAs mentioned in the first question, you need to become emotionally involved with every character. You also need to become emotionally attached to the story itself. What is the true meaning of the film? What do you want your audience to take away after the credits start rolling?This was something incredibly challenging for director Pete Docter as he was re-working his film about emotions, Inside Out.I’ll tell you a story: there was a dark point about three years into the making of the film. The pressure was mounting. We were approaching a screening and I went for a walk the weekend before, going, “Shoot, it’s just not working. What if I just quit and move to Mexico — what would I miss the most?” And I thought, well, my friends. But then I thought, the people I really feel close to are the people that, yeah, I’ve felt happiness with, but also they are people that I’ve been pissed off at, and scared for. The subject matter I’m dealing with in this movie is the key to relationships. So I got electrified, went back, talked to the guys, we rewrote the script, and that was a major turning point in the film. [Wired]4. Am I Willing to Dedicate Months or Years to This Project?Image: Mad Max: Fury Road 1999 storyboard via The NerdistIs the story so great that you are willing to dedicate yourself to the project for years? You don’t know what obstacles await, and your production could be halted. Are you willing to wait to make this film?For a great recent example, let’s look at director George Miller. His 2015 film Mad Max: Fury Road received rave reviews, and the film was heralded as an all-around spectacular action film. You may not know that the film was stuck in “development hell” for 20 years. Miller reacquired the rights to Mad Max in 1995. It took three more years until he had his story in place.He was set to start filming in 2001, and then the events of September 11th postponed the project. Then turmoil in Namibia, the location of the shoot, postponed the project further. Principal photography didn’t begin until July 2012.5. How Long Is the Final Product?Image: Whiplash (Short) via The IndependentIs this a full length feature or a short film? That is one of the first things you need to decided. If it’s still very early in your career, making any film over 30 minutes in length can be an incredibly daunting task. The length of the film will also help determine the length of production. You have to take into account the budget and time you have to make this project. From there you can decide the length you want to aim for.If you can’t afford the project, can you make another version? If you are unable to make the full length feature, try making it a short film first. Short films have successfully turned into features. Look at Bottle Rocket, or last year’s Best Motion Picture Oscar Nominee, Whiplash.Director/Writer Damien Chazelle was unable to secure funding for his film Whiplash. He pulled one of the most prominent scenes from the film and turned it into a short. His goal was to submit the short film to film festivals in hopes of securing the funding for the feature. The short film was so powerful and well done, he not only secured funding, the short won Best Short Film at Sundance. The next year, the feature was nominated for five Oscars, winning three of them.6. When and Where Is the Film Set?Image: Primer storage facility via The Primer UniverseThe setting of your film is a huge factor. Do you have the budget to shoot an epic in the desert? Is the film a period piece? If so, go ahead and hand over your budget to costumes. Are you able to turn this script into a film you can actually shoot now? The best thing you can do as a filmmaker is embrace your limits.The 2004 film Primer is a perfect example. Not only did the film have a limited budget (approximately $7000), the script called for time travel. The story and science behind it was so sound, the story actually carried the film. With some creative thinking, nearly the entire film was shot in a storage unit. A perfect example of embracing you limits and working with your budget.7. How Many Actors and Crew Members Will the Project Need?Now that you have looked at the story itself, what about the practical necessities for bringing the story to life? How many characters do you need to cast? How big of a crew do you need? These are major factors. Not only do you need to know how many people you need, you need to know how much each of them will get paid.Will you be able to afford costumes, or even food for the set? Are you still going to have enough left over for your camera, lights, and gear? This leads us to our next point.8. Can You Afford to Make This Film?As any filmmaker can tell you, making a film is incredibly expensive. Every project presents even more expenses you never accounted for. This is why many projects require multiple studios collaborating to make a film. Trying to take on a whole project alone is nearly impossible.Even if you can’t afford it now, you may be able to afford it later. We’ve presented many examples already with making short films first, or even waiting for years.After all of this, you still face your decision to move forward with this project or not. If you have not been swayed at all, and you mind is still set on a project, get to it. Start making the film. Just know challenges will arise, but handling problems is the greatest skill a director can have.Are you ready to turn your script into a feature? Be sure to take advantage of all our post from pre-production to post-production.
Of late, technological inputs have died down as militants have stopped using cellphones frequently in south Kashmir. Human intelligence now remains the core of counter-insurgency grid, officials say.The Army and the police credit “well-knit overground human intelligence as the main source of a tip-off that led to the killing of Hizbul Mujahideen commander Abdul Qayoom Najar, in an encounter along the LoC, north of Uri, on September 27. He was being infiltrated to take control of the Hizb. After trapping him in a cordon operation in a village in Shopian, the operation lasted 15 hours.The structure of command-control of LeT has district commanders and a small group at the lower level, followed by operational chief, overseeing all 11 districts in the Valley.“The job of the operational chief is to coordinate with handlers in Pakistan and identify potential targets and lay down logistical support requirements,” said the counter-insurgency official in Srinagar.Strong networkUnlike the LeT, the Hizb structure has a “strong network of overground workers, district-wise militants, district commanders, divisional commanders and operational commanders at the top”. A day earlier, the same bunch of terrorists had tried to block, in the same area, an Army patrol on an operation. They attacked a couple of Garud Commandos from the Air Force, who had been embedded with the unit for operational experience, and they died later in hospital.Replacements comingThe more terrorist “commanders” are killed, the more easily their replacements seem to spring forward. A top counter-insurgency official, who wished to remain anonymous, said: “Militant handlers in Pakistan are using the twin routes of Poonch in Jammu and the Kupwara-Baramulla forest areas in the Valley to infiltrate commanders every time the LeT loses its commander.The official told The Hindu that “the passes in the higher reaches of Hafruda and Shambhari forest ranges close to the Line of Control (LoC) have also opened up”. “Snow has completely melted there as summer peaked this year, making it easy to infiltrate and find hideouts in crevices and foliage,” he said.The terrorist outfits, especially the LeT, tend to fill the top positions from Pakistan-occupied Kashmir “to uphold morale down the ranks, as soon as its commander gets killed in an operation”. It is difficult to find local people.Operational leaders hitSince the Army’s “Operation All-Out” aimed at flushing Jammu and Kashmir of terrorists was launched in May, as south Kashmir slipped into the hands of 250 militants dominated by local commanders, operational commanders Abu Dujana and Abu Ismail have been killed. Dujana was a prized target. He had taken over the mantle after Abu Qasin was killed on October 29, 2016.Dujana was suspected of masterminding the suicide attack at the Entrepreneurship Development Institute in Pampore that led to a 56-hour standoff in February 2016.Dujana was cornered, along with Arif Lelhari, in a village in Pulwama before dawn. Hours later, an exchange of fire began.When he refused to surrender, the security forces blew up the house he was sheltering in. He had escaped a cordon-and-search operation five times before his luck ran out on August 1.He was placed on the A++ category with a reward of ₹15 lakh on his head.Mission All OutSince “Operation All Out” began, over 10 district commanders, including battle-hardened Arif Lelhari, Junaid Mattoo and Bashir Lashkari in south Kashmir, had been killed. Some 21 commanders, including Hizbul Mujahideen’s Sabzar Bhat, Shahbaz Shafi alias Rayees Kachroo and Commander Aijaz Mir, have been killed so far as well.In addition, over 150 militants have been killed in the encounters that erupted in the Valley this year. During the previous year, 165 were killed till December. | Photo Credit: The Hindu Abu Ismail, operational commander of the Lashkar-e-Taiba, had been elusive till he was shot and killed on a desolate stretch of road a mere 8 km from Srinagar, in the Aribagh area of Nowgam. He was in a truck with a fellow terrorist when it came to a security checkpoint in the afternoon. Ismail and his companion tried to run into a paddy field and head to a nearby residential area where they could have created a standoff.The encounter lasted only 10 minutes. At the end of it, the two terrorists lay dead. It was September 14, two months almost to the day that seven Amarnath Yatra pilgrims had been shot at indiscriminately after their bus was waylaid. Ismail was held responsible for the killing of seven pilgrims.Soon after Ismail fell, B.S. Raju, General Officer Commanding, Victor Force, which has been spearheading counterinsurgency operations in Jammu and Kashmir, declared that he “expected a vacuum in the outfit’s top leadership”.Four days later, Mehmood Bhai, a foreigner, had emerged as his replacement, his footprints all over Bandipora in north Kashmir, when his men barged into the home of BSF constable Ramzan Parrey, dragged him out and killed him late in the evening. The constable had come on vacation. Jawans gather around the bodies of Abu Ismail and another militant after an encounter in Nowgam on September 14, 2017. Abu Ismail, an LeT operational commander who led the attack on Amarnath pilgrims. | Photo Credit: Special Arrangement A militant attends the funeral of another. File | Photo Credit: The Hindu “As of now, the Hizb has no Valley-based operational commander after its top-ranking commanders were killed this year,” officials say.However, Hizb commanders like Saddam Paddar, alias Zaid, a district commander and an ‘A++’ category militant, has influence in Shopian and remains active since 2015.Reyaz Ahmad Naikoo, alias Zubair, active since December 2012, portrays himself as a Hizb ideologue and mainly recruits youth in south Kashmir.Despite encounter killings of militants, recruitment continues. In South Kashmir, out of 50, as many as 30 from in and around Pulwama have been recruited by the Hizb and Lashkar in the past five months. They are mostly overground workers or protesters who have been regularly converging at the funerals of those killed by the security forces.A splinter group of Zakir Rashid Bhatt alias Musa, once divisional commander of Hizb, has recruited people in small numbers, pushing youth towards a more hardline ideology, with al-Qaeda already declaring him in-charge of its affiliate in Kashmir.Jaish challengeMore than Hizb and LeT, security agencies say the resurfacing of Moulana Masood Azhar-founded Jaish-e-Muhammad poses a “more potent threat.”“Jaish believes in sensational attacks. We have to deal with them differently,” said Inspector-General of Police, Muneer Khan, after the recent sensational fidayeen attack on a BSF installation close to Srinagar airport.Security agencies say the killing of Jaish operational commander Khalid Bhai in Baramulla some days ago “cut the umbilical cord of its ranks with handlers across the border”.A small group of Jaish fidayeen still is a threat in and around Srinagar. However, Khalid’s killing has cut the link with the handlers, officials say. South Kashmir remained a battleground with the emergence of Burhan Wani in 2013, but militants are shifting base to north Kashmir “to make use of the forests in Bandipora, Baramulla and Kupwara”. Even after all the killing, the winter is set to be hot, with foreign militant numbers, according to Army figures, being as high as 70 in north Kashmir alone.“We fear local recruitment has picked up in north Kashmir, in Baramulla, Kupwara and Bandipora,” a police official said.
The profile of touch football in Australia is continuing to grow, with the latest media watch statistics showing touch football news has reached around 9 million people in the first three months of this year. Australian Touch Association CEO, Bill Ker says the statistics are both exciting and also interesting for the development and promotion of touch football in the media arena. “The Australian Touch Association has embarked on a twelve month media watch campaign to obtain an understanding of the extent of mentions the sport has in the media nationally,” says Mr Ker. “”The media for the past three months has been extensive with a wide reach nationally.” “It was also determined to extend the boundaries of the watch to cover New Zealand as well, because this will enable the ATA to not only quantify the media coverage in Australia but compare it with coverage from the other largest international member of the Federation of International Touch,” explains Mr Ker. The month of March saw touch football receive 138 mentions in the print, radio, television or online media. This was double the number of mentions for the months of January and February. In terms of audience numbers, it is estimated that these 138 stories reached almost 3.2 million people. This result, combined with the results recorded for January and February, shows touch football news has reached around 6.4 million people this year alone through the forms of print, radio or television. Mr Ker says the internet is another big winner in terms of coverage, with the ATA website recording a record number of hits in recent months. “Especially pleasing for the ATA is the homepage hits of over 3.5 million since November last year. The month of March produced 40,000 hits short of 1 million, which is a direct reflection of the interest the NTL generates. The ATA has studied the usage patterns of the homepage and is aiming the direction of the homepage information towards servicing those usage trends,” Mr Ker highlights. Since the beginning of the year almost 2.6 million hits have been recorded by the ATA, while at the peak of the NTL competition over 65,000 hits were recorded in just one day. It also needs to be mentioned that these statistics on internet usage relate purely to the ATA website and do not include statistics on the other international, state and local websites, who have also noticed an improvement in their website hits. Therefore these statistics can be said to be just the tip of the iceberg! By far the biggest improver in media coverage of touch was the number of television news stories. The month of March saw 20 touch football news stories produced, being primarily in state and regional news broadcasts. This number is also almost double the total number for January and February combined. In terms of audience numbers, the television coverage is estimated to have reached just over 500,000 for January and February, and over 800,000 for the month of March. The print media, which includes local, regional, state and national newspapers, reached the largest audience, with 83 stories published and an estimated number of almost 2.2 million readers. Wagga Wagga, Yass and several Western Australian media outlets are doing especially well, receiving regular coverage of their local and regional events in print and on radio and television. The Gold Coast and Sunshine Coast are other areas becoming more regular in the coverage touch football receives there. Coffs Harbour and the NTL’s were also successful, with the tournament being reported on the daily regional television news bulletins, as well as securing print and radio stories. With regional media outlets always searching for news stories, especially those of local interest, it is important for the ATA and all state and local organisations to continue to look for opportunities for touch football development through the media. “All in all the ATA is very pleased with the results of the media watch and the homepage usage and looks forward with confidence to a wider awareness of this great sport in the forthcoming months,” says Mr Ker. Rachel Moyle, 0422233165